Why does hip hop

He is the most versatile singer of India and he was the best Indian Playback singer of all the time and also one of the most popular singer in Film industry, he has known for its versatility and his songs ranged from classical to patriotic, sad, romantic, qawwalis to ghazals and bhajans as well.

Begin typing your search term above and press enter to search. Press ESC to cancel. Skip to content Home Essay What is the purpose of hip hop? Ben Davis May 6, What is the purpose of hip hop? What is special about hip hop? How hip hop affects society? How Hip Hop Changed the World? Is Hip Hop good or bad? Why hip hop is bad influence? Why hip hop dance is the best? Does rap influence bad behavior? How does hip hop influence the youth? What can you learn from hip hop? What are two things that make hip hop unique?

Who started hip hop? What are the 5 elements of hip hop? Is Hip Hop black culture? Why is it called hip hop? What was hip hop originally called? Where is hip hop most popular?

Smith writes a haiku a day as a kind of personal check-in. My parents are house-hunting right now. I wrote a whole thing about a house being condemned. Art is her outlet. My dad had a boom box and an afro and was into freestyling. My parents used music as a connector.

Smith, who competed in slam poetry contests at URI, says the allure of rap and hip-hop is its accessibility. Still true to its urban roots, hip-hop is narrative in the tradition of the epic poem, speaking to universal truths, meant for mass consumption. If anything, the reverse is true. This is the language of youth speaking their truth. The more woke you become, the more aware you are of injustice in the world. It was outrageous to think thousands of New Yorkers saw their creations each day in one of the richest cities in the world.

They embraced the identity of outlaw artists and admitted the dangers and thrills were part of the appeal. They were on missions to prove they were not only the most imaginative and talented writers in their neighborhood, but the most fearless. Not surprisingly, NYC officials were not amused. Cops cracked down on writers, and train yards were encircled with new security. At the same time, the art world was catching on that something fresh was happening in the city beyond their fancy uptown galleries.

Graffiti-inspired exhibitions popped up, and some writers took the opportunity to commit their passion to canvas instead of granite and steel. Writing's place in Hip Hop culture was cemented by the early s. Early rappers used wild style on their album covers. And two movies— Style Wars and Wild Style —debuted. Today, graffiti-influenced writing styles show up worldwide in graphic design, fashion, and street art.

Outlaw artists like Banksy are still out there painting trouble. But the vision, passion, and humor the best of these writers display—legit or not—give people the chance to see the work-a-day world in new ways. They seem to say if we pay attention, we can find beauty, meaning, and art most everywhere we look. The s were lean, mean years in sections of New York City. Much of the optimism of the s Civil Rights Movement had faded. New York was broke.

City officials sliced and diced basic services, school funding, arts education programs, and job training. Life-destroying drugs and crime haunted the streets. Absentee landlords neglected properties until building after building fell into disrepair or went up in flames.

In the face of all that, however, the energy of urban youth refused to shut down. Young people, many of them teens, created new ways of spinning records and dancing.

They experimented with new styles of poetry and visual art that revealed their thinking and feelings. Eventually, the elements grooved together into a culture.

A name started to stick to it: Hip Hop. Hip Hop believes that people can take control of their lives through self-knowledge and self-expression. Knowledge influences style and technique and connects its artists under a collective Hip Hop umbrella. Most importantly, it allows for a shared experience against an uncertain world.

Afrika Bambaataa deserves much credit for putting this concept of knowledge into word and action. A one-time teen leader of a gang, Bambaataa had universal respect and a powerful ability to make peace with and between enemies. His legendary music and dance parties brought together rivals to party in peace. Come in peace and unity. The young Bambaataa was also a devoted student of history. He absorbed the tactics and strategies of historical leaders—from the French emperor Napoleon to the South African chieftain and military commander Shaka Zulu.

He grasped the power of music as a strategy for clearing barriers that divided people, whatever their backgrounds. By the s, Bambaataa and his large and growing crew had founded the Universal Zulu Nation. They emphasize community, peace, wisdom, freedom, justice, love, unity, responsibility, respect for others, and respect for self. He put his knowledge into words, and the words radiated around the Bronx, throughout New York, and across America.

This show has been blowing away London audiences since It is an urban re-visioning of the fairy tale-genre, following a pair of school kids into a tough part of town instead of a haunted forest.

But as with all fairy tales, not everything or everyone is what they seem. Ultimately the stage blazes with wild style art, DJ voiceovers, beats from multiple musical styles, b-boys and b-girls breaking in high-flying choreography, and fresh takes on familiar characters. Graffiti writing may splash across the scenery. DJing, rapping, and breaking are likely to take turns in the spotlight. Some shows, like Into the Hoods , tell their tales mainly through dance and music, while others lay Hip Hop style over more traditional scripts.

Hip Hop artists are tackling drama, comedy, and tragedy, and some classic material is getting the Hip Hop makeover. Collaboration is a core ingredient for most Hip Hop theater groups.

In the tradition of the culture, producers, directors, and playwrights stress input and participation by stakeholders—the very people the play is intended to speak to and entertain. The global influence of hip hop culture has shaped music styles, fashion, technology, art, entertainment, language, dance, education, politics, media, and more. To this day, hip hop continues to be a global phenomenon, developing new art forms that impact the lives of new and old generations.

Hip hop is a subculture and an art movement that emerged from the Bronx in New York City during the early s. Its development reflected the negative effects of post-industrial decline, political discourse, and a rapidly changing economy. Looking back to New York City during this era, we see an economic collapse. Much of the white middle class moved to the suburbs to escape the social and economic challenges. The migration shifted demographics and segregated communities.

Conditions worsened in neighborhoods prominently populated by African-Americans, Puerto Ricans, and Caribbean immigrants. Urban despair also brought rising crime, gang violence, and poverty. Consequently, businesses closed their doors, causing many economic opportunities and sources of entertainment to evaporate.

As a result, urban youth turned to the streets for recreation and self-expression. The abandoned buildings and parking lots set the stage for block parties. These block parties laid the groundwork for everything associated with early hip hop culture.

Sheets of cardboard became dance floors for break-dancers, and brick walls transformed into canvases for graffiti. A new era was on the rise fueled by sentiments of anger, hardship, and abandonment. However, the emerging hip hop movement transformed despair and racial barriers into numerous creative outlets. It also became an outlet to deal with violence. Several people were influential in creating hip hop. One of the most influential hip hop pioneers was DJ Kool Herc, a Jamaican immigrant regarded as the founding father of hip hop.

This historical party is recognized for launching the hip hop movement. However, Kool Herc would play funk, soul, and other genres with percussive sections.

Using a pair of turntables, Kool Herc would play two copies of the same record and then switch between them to extend the percussive section known as the break. The break section was also the most anticipated part of a song where people danced the most. Break-dancers would form dancer circles and save their best dance moves for the break.

Overtime, breaking evolved and became a global subculture that transcended into the mainstream. Kool Herc also helped develop the rhythmic spoken delivery of rhymes and wordplay performed by MCs. He would speak in rhythm and rhyme over instrumental parts of songs to hype the crowd. His style of lyrical chanting and rhythmic wordplay was an early form of rapping inspired by the Jamaican tradition of toasting. Kool Herc also enlisted his friend Coke La Rock to control the mic at their parties.

He formed Universal Zulu Nation , a music-oriented organization that encourages peace and unity through the expressions of hip hop culture. Members introduced urban youth to DJing, breakdancing, rapping, and visual art.

To this day, Zulu Nation continues to spread hip hop culture throughout the world. Instead of rapping over funk beats, Bambaataa created an electronic sound by sampling Kraftwerk and using the Roland TR drum machine. The song helped popularize the TR, which became a staple of hip hop music.