Lynne sachs which way is east




















A story of early-teen anticipation and disappointment, Wind in Our Hair is circumscribed by a period of profound Argentine political and social unrest. Sandor Lenard, to reconstruct the bones of dead American soldiers. During this time, she produced her early, experimental works on celluloid which took a feminist approach to the creation of images and writing— a commitment which has grounded her body of work ever since.

From essay films to hybrid docs to diaristic shorts, Sachs has produced 40 films as well as numerous projects for web, installation, and performance. She has tackled topics near and far, often addressing directly the challenge of translation — from one language to another or from spoken work to image. With over 25 years of combined experience as filmmakers and over a decade as distributors, our team is devoted to bring the attention and viewership deserved by the remarkable and courageous titles that we represent.

In addition to distribution services, we offer a wide range of production support for rising and established moving-image makers. Our top priority is to foster excellence amongst an intergenerational community of visionaries and to help younger talent meet and rise in conjunction with established filmmakers. Our on-demand platform is a virtual extension of our distribution agenda. Dedicated to supporting and promoting excellent independent cinema from around the globe, we have carefully curated an exciting set of programs consisting of a mix of young and established filmmakers.

As part of our ongoing programming, we offer a new range of films and thematics every 3 months. Unlike similar commercial platforms, we do not and will not operate on a subscription basis.

Our viewers are encouraged to browse and watch their desired programs whenever they wish. We are hoping this platform would become a viable means to generate passive income for the remarkable artists and filmmakers that we represent.

In addition to our on-demand services, we run an annual virtual film festival also dedicated to global intergenerational discourses on relevant thematics and contemporary issues. Supplementing these platforms are a series of one-off events and surprise programmings that bring timely attention to the work of filmmakers as unique socio-political struggles arise. Mania Akbari b. Tehran, is an internationally acclaimed artist and filmmaker.

Some of the highlights include various conversations around truth and the ethics of documentary filmmaking, discussions about the lack of online screenings for fall film festivals this year, award announcements from BlackStar, Locarno and DokuFest, and an excellent piece from Isabel Ochoa Gold on cinema and its relationship to cat videos.

There is much to dig through, so buckle up and enjoy! With each project, Lynne investigates the implicit connection between the body, the camera, and the materiality of film itself. The Criterion Channel programming will include a newly-recorded interview with Sachs discussing her work. States of UnBelonging Lynne Sachs color, sound, 63 min. Lynne Sachs: 10 Short Films Vol. Georgic for a Forgotten Planet Lynne Sachs color, sound, 8 min. The Task of the Translator Lynne Sachs color, sound, 10 min.

Sound of a Shadow Lynne Sachs color, sound, 10 min. Drift and Bough Lynne Sachs black and white, sound, 6 min. Clip Photos Add Image. Top cast Edit. Dana Sachs Self as Self voice. Lynne Sachs Self as Self voice. Lynne Sachs. More like this. Storyline Edit. This travel diary of the filmmaker's trip to Vietnam with her sister Dana is a colleciton of tourism, city life, culture clash, and historic inquiry that is put together with the warmth of a quilt.

Not Rated. This film is currently only available with a password. Please write to info lynnesachs. When two American sisters travel north from Ho Chi Minh City to Hanoi, conversations with Vietnamese strangers and friends reveal to them the flip side of a shared history. It combines Vietnamese parables, history and memories of the people the sisters met, as well as their own childhood memories of the war on TV.



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